Friday, August 31
Requests Friday with Alan Cooke in Augusta. His playlist appears here as it forms. Call in requests to 877-RADIO-GA. Happy Labor Day Weekend!
Classical Playlists, Riffs and Links from Georgia Public Broadcasting
Requests Friday with Alan Cooke in Augusta. His playlist appears here as it forms. Call in requests to 877-RADIO-GA. Happy Labor Day Weekend!
Posted by Sarah Zaslaw at 9:06 AM
It's raining conductors! Behind the scenes I've been interviewing music directors from around Georgia about what's in store for 2007-2008. Adrian Gnam of the Macon Symphony, George Del Gobbo of the Columbus Symphony, Donald Portnoy of Augusta, Claire Fox Hillard of Albany and Patricio Cobos of LaGrange have all stopped by GPB to chat. The plan is to deploy a snippet of scintillating conversation on Midday Music as each orchestra concert approaches. I hope you'll enjoy catching the insights and enthusiasm of a maestro near you - and then be inspired to go see him in action.
Speaking of concerts, Friday the Macon Symphony presents guest vocal quartet Spectrum in a pops event, "The Motown Sounds of Spectrum." Details here.
On air, today's Brahms sextet with the Lindsays and the Tchaikovsky Violin Concerto with Maxim Vengerov look like this. (The Golub-Kaplan-Carr's Dvorak piano trios are out of print but there are other fine performances out there.)
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Posted by Sarah Zaslaw at 10:56 AM
Today's lineup - see mug shots above - includes a sparkling Telemann orchestral suite, a mellifluous new recording of the Dvorak Piano Quintet, Haydn's most famous (infamous?) variations, George McKay's evocation of the coastal Pacific Northwest, Saint-Saens's Flood and Mozart's Oboe Concerto.
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Posted by Sarah Zaslaw at 10:01 AM
We hear as much of Simone Dinnerstein's recording of Bach's Goldberg Variations as can fit between newscasts, beginning and ending with the aria. The pianist's name is pronounced Simona Dinnersteen, and as her Telarc CD comes out there are stories about her in Slate and the New York Times. Of her earlier career difficulties, Dinnerstein says: "I do have a particular way of playing, and if you don't like it, you don't like it." See if you like it.
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Posted by Sarah Zaslaw at 9:53 AM
For musical parody, check out the third hour of the show. You'll hear Richard Wagner's stormy Overture to The Flying Dutchman - followed by musings by Paul Hindemith on what that piece would sound like in the hands of a hack spa band: "Overture to The Flying Dutchman as Sightread by a Second-Rate Orchestra at the Village Well at 7 o'Clock in the Morning."
If that's not a strong enough visual for you, here's cover art for today's new and recent recordings (Locatelli with Il Giardino Armonico, Beethoven with John O'Conor, Nicolai with Christian Thielemann, Mendelssohn with the Wanderer Trio and Ravel with Bernarda Fink).
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Posted by Sarah Zaslaw at 9:40 AM
Music series around Georgia start up in earnest in a few weeks, and I'm compiling a master calendar of events to mention on air over the course of the year. Please mail or e-mail me your press releases (GPB, 260 14th Street NW, Atlanta GA 30318; middaymusic@gpb.org) so we know about your community's major classical concerts. Thanks!
Today on air: a lesser-known Bruch violin concerto with James Ehnes, royal Lully with Jordi Savall, heartrendingly sublime final Schubert with thirty-something British pianist Paul Lewis, and Mozart with Christian Zacharias and friends.
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Posted by Sarah Zaslaw at 8:52 AM
Alan Cooke hosts today. See his playlist here.
Posted by Sarah Zaslaw at 8:51 AM
After Felix Mendelssohn's astounding Octet, who wrote the next major work for eight independent string parts? One Johan Svendsen. Norwegian by birth, Svendsen trained in Mendelssohn's own stomping grounds, Leipzig, and that's where he composed the String Octet that opens the show. Hours 2 and 3 take us to sultry Spain (Manuel de Falla's Nights in the Gardens of Spain, for piano, orchestra and a palpable, dark, warm humidity) and religious France (the St. Cecilia Mass by Charles Gounod).
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Posted by Sarah Zaslaw at 10:46 AM
An extramusical detour:
BroccoliImmortal words of Ogden Nash. In the 1 o'clock hour, hear Nash's equally punny rhymes for The Carnival of the Animals.
While not exacolly
Comes within an inach
Of being spinach.
Posted by Sarah Zaslaw at 10:37 AM
"Make new friends but keep the old" - that's good advice regarding music as well as people. Today I'm pleased to introduce you (and heck, myself) to several rarely aired works: a sorrowful tribute by Claudio Monteverdi to his late wife, subtitled "Tears of a lover at the grave of his beloved"; chamber music by Georges Onslow, whose colorful father fled first political scandal in England and then countterrevolutionary troubles in France; choral songs by Russian composer-pianist-teacher-scientist Sergei Taneyev; and, from the previous generation, Alexander Borodin's Third Symphony, normally overshadowed by his popular Second. Will these pieces be mere passing acquaintances? Future bosom buddies? You never know if you don't meet 'em.
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Posted by Sarah Zaslaw at 11:14 AM
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Posted by Sarah Zaslaw at 10:04 AM
What, you've never thought of Ludwig van Beethoven and Harrison Ford with the same set of neurons? Here's how some clever marketing person described Beethoven's "Eroica" Symphony for the 1994 recording in our first hour: "a swashbuckling thriller which, for sheer passion, romance, and gusto had to wait for Indiana Jones in Raiders of the Lost Ark to find its visual counterpoint." (You don't say!)
The third hour goes to Aram Khatchaturian, a Soviet composer of Armenian extraction and sometimes Armenian inspiration. We hear three of Khatchaturian's greatest hits: the raucous, driving Sabre Dance; the gorgeous, melodic Adagio from Spartacus; and his Violin Concerto in D minor, which passes through both the rhythmic and lyrical realms.
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Posted by Sarah Zaslaw at 11:02 AM
Back to school!
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Posted by Sarah Zaslaw at 11:07 AM
If you've seen Amadeus, the urgent syncopations launching today's show will whisk you straight back to the opening rush through the dark streets of Vienna. If you haven't seen Amadeus, well, please, please do. The storyline and the portrayal of Mozart may not be strictly historically accurate, but who cares. Amadeus is an outstanding bit of filmmaking, in my humble opinion and many others', and it sets Mozart's music as a ring sets a gem.
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Posted by Sarah Zaslaw at 9:33 AM
Just a few weeks till those concert seasons get rolling. If you run a professional classical ensemble or venue in Georgia, please keep Midday Music on your mailing list. I want to know what you're up to and when, so we can tell our listeners. Send info to middaymusic@gpb.org or Sarah Zaslaw, GPB, 260 14th Street NW, Atlanta GA 30318. Thank you.
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Posted by Sarah Zaslaw at 12:06 PM
Couple of recordings I'd like to point out. The noon hour starts with a chunk of an opera by Richard Wagner - for orchestra. Conductor Loren Maazel's condensation preserves all the Teutonic grandeur with none of those pesky singers. (Just kidding, singers.) Right after that, for contrast, violinist Itzhak Perlman plays Hasidic-inspired music by Bloch. See his twenty-year-old baby face in the second image below? The disc, Perlman Rediscovered, revives tape from his pre-stardom years - and shows he could do that intense Eastern European Jewish thing long before the Schindler's List theme.
You might also be interested in the budget reissue of Beethoven's clarinet trio, from the start of the show, and the grand new London Symphony concert recording of Sibelius's Second Symphony, from the end.
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Posted by Sarah Zaslaw at 9:39 AM
Today: a sax quartet, a Schumann string quartet and a brass quintet. Also, spotlights on cello (thrilling Mendelssohn with Mischa Maisky) and clarinet (Poulenc).
I'm especially enthusiastic about these energetic Schumann and Mendelssohn performances
and there's nothing else like this haunting take on Bach's Chaconne, from the CD Morimur.
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Posted by Sarah Zaslaw at 10:04 AM
Thanks to Alan Cooke for hosting Wednesday's show. See his playlists here. He'll be back with us Friday as usual for our weekly requests edition of Midday Music.
Two orchestral concerts break up the summer doldrums this Saturday: the Atlanta Symphony performs Holst's Planets (with NASA photos!) and the Rome Symphony offers "Cool Pops."
Now, as for today . . . let's try something new. Instead of providing cover art from discs aired, I'll link you to details directly from the playlist below. Which do you prefer: links from thumbnail art or from text? Write middaymusic@gpb.org to opine. Thanks.
Please keep in mind that although these links connect you to ArkivMusic or Amazon for the convenient information there, we officially endorse PB-1 as our public-radio-friendly vendor and encourage you to buy through them.
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Posted by Sarah Zaslaw at 9:13 AM